Sonam Kapoor playing the lead role in the Khoobsurat remake made
enough of a splash in the water well of b-town for people to notice. And now
that the film is out, I guess it’s now up to the audience to make or break the
film at the box office. The slight changes in Khoobsurat are there to give this
classic tale new life and its setting is in a different era to boot. When it
comes to remakes, the industry has seen its fair share. The question that
follows is to whether it was worth buying a movie ticket to watch it or not.
For the likes of the modern generation, Sonam Kapoor looks the part
and attempts to throw in the YOLO (that’s you live only once for the
uninformed) attitude they can relate to. Fawad Khan fits in the character of Vikram
Singh Rathore to the T and is quite dashing at that. But the one thing that
most people will see as the sour grape in the fruit salad is there is no
chemistry between these two nor is there any empathy for Sonam Kapoor from the
audience. The audience is left completely stuck between a rock and a hard place
because of this awkwardness. We have seen our fair share of wacky ideas being
implemented in a field on screen but this particular one doesn’t work on the
basis you don’t feel for Sonam in her endeavours to bring happiness to the
royal family.
Ratna Pathak Shah as the queen and Aamir Hussain as the king play
their roles sufficiently. Aditi Rao Hydari isn’t required to do much. Kiron
Kher plays the Punjabi mother once again with her quintessential charm. But
none of these established actors could save the gaping holes in the story. Yes
the Disney backed film announces this to be a candy floss cinema that doesn’t
require you to think but even the fun-factor of this genre is lacking severely.
Adding in the music doesn’t strike a chord, barring the peppy Engine Ki Seeti.
There is only so much costume design and cinematography can do to lighten the
on screen mood.
All of the above mentioned factors come into play when you look at the
film as it is. This is without considering the cult classic original directed
by Hrishikesh Mukherjee and lead by the golden Rekha. So while the Disney
banner can be all grand, the couple can be younger generation and we replace a
middle class family with royalty, you cannot avoid the main problem with
watching a film like Khoobsurat staring Sonam Kapoor and Fawad Khan. You don’t
fall for the misfit as much as do for the cute looking prince in a sherwani or
suit.
Sonam may be a Disney princess with Khoobsurat but you definitely
don’t feel like you watched a classic with this film.
Rating 1/5



Now to the performances: Siddharth is an absolute delight to watch. The way he plays Yodha makes him both lovable and dignified. As a common villager with an extraordinary talent and an enormous responsibility, he adds a human touch with the mischievous streak yet maintains the sharp wit of a warrior. Incidentally, the actor has not done an action-based role like this before, but has shown he is quite capable without the OTT six-pack bare chested poses. Shruti Haasan may be playing the typical "damsel in distress", but she is far from the ditsy "save me" type. Almost picture perfect for the role, she maintains a feisty nature, yet oozes sensuality and charm that is bound to appeal to all. Yet these two are almost gobbled up by the talented Lakshmi Manchu. Daughter of legendary actor Mohan Babu, she takes the role and transforms into a larger than life figure that will make some question if this is really her debut. A complete natural as Irendri, her voice modulation alone is bound to chill you to the bone especially as Sarpini, the serpent spirit residing in Irendri's tresses. Young Harshitha is an integral part of the story and shows confidence beyond her age. Ravibabu, Subbraya Sharma and Ramji do justice to their roles while Brahmandam and Ali tickle the funny if only for a few scenes.
With so many pluses, what about the minuses? To be honest yes, they are there. As mentioned Harshitha is a central character so while she has done her bit and there is an explanation for her existence, a bit more depth to the character would have helped to fill out her role. Also, the dialogues of the film are meant to be folklore styled but at times, the emotion could have been expressed much stronger for a deeper connection. With such a shrewd director at the helm, editor Shravana Kartikaneni's job is made easy, but one does feel a jerk in the screenplay every now and then.