Remakes are somewhat taking over Tamil Cinema again and this Pongal/Sankranthi we have two releasing at the same time. The one in question is of one of my favourite S.S.Rajamouli flicks called Vikramarkudu. As Siruthai, we have a team consisting of Vidyasagar making a come back after a small break, director Siva who directed Souryam and Sankham in Telugu making his debut in Tamil and the Paiyya jodi, Karthi Sivakumar and Tamanna Bhatia in lead roles. To add a bit of masala in the mix, Karthi will be joined by Santhanam for the first time. But do they succeed in recreating the magic created by S.S.Rajamouli, M.M.Keeravani, Raviteja and Anushka that took the Telugu audience by storm? Read on to find out.
The story is pretty simple. Rocket Raja [Karthi] and his friend Kattu Poochi [Santhanam] are your average petty thieves. Picking pockets, cutting handbag straps, shaving people bald and conning wherever they can just for the sake of it. Squabbles with kids and their mothers aside, life is merry with beer aplenty and not a care in the world. Along the way, Raja encounters Swetha [Tamanna]. A rich girl from Andhra, who misunderstands circumstances and believes the stories that Raja spins. So as Cupid throws a few arrows, Swetha thinks Raja is a software engineer and Raja in turn decides on one last heist before saying goodbye to his theiving ways for good. However, what was supposed to the easiest heist of a box with more jewelry than they could imagine from a Rajasthani woman turns into a nightmare as a cop named Bharath [Rajiv Kankala] intercepts the two in a share squabble unaware they stole the box. But the biggest shocker come when they open it. Instead of jewelry, they find a 3 year old little girl named Divya[Rakshana] sleeping inside. If that wasn't bad enough, she wakes from her slumber, looks at Raja and calls him Appa[father]. Shocker number 3 comes in the form of a photo of the girls father who looks exactly like Raja. No choice of ditching and no chance of finding the father, he slowly forms a liking to the lil' one but is then thrust into a wild chase for their lives as a bunch of goons attack the Raja and Divya. Before Raja can react, he finds himself standing face to face with the man from the photo. Who is Rathnavel Pandian [Karthi again]? Why are the goons trying to kill him? How does Bharath tie into all this? Well you know the drill. Check it out to find out.
Camerawork by S.Velraj and art by Rajeevan is apt for the city and the slum as they brings to life the little village of Devipatnam without moving away from the plight of the villagers and also transports you to world of theives with their loot, keeping it light and fun as well. If the imagery set the mood, the dialogue drives the story home. Penned by Siva himself, the seriousness gets a little predictable but he scores brownies for comical antics of the conning duo. On the directional front, Siva sets off sparks every now and then with some brilliant adaptation but loses it a little with a dragging effect. He cleverly starts the film with a screen card stating the film is set in Andhra but will have characters speaking in Tamil to maintain the essence of the village but some may complain about the amount of new faces that are actually from the Telugu industry. Overall they perform well and fill in the gaps as required.
However, Siruthai is far from perfect. If the gore factor maybe an issue for some, the length of it is bound to make you yawn. Editing could have been little more crisp [name unknown]. Siva made a few adjustments in the screenplay that is welcomed with open arms but its the same Siva that has allowed the action sequence to be so lengthy. To an extent he has a hand in Tamanna's lack of impact too. If her hamming was one probably the lack of depth in her character adds to it. Granted its a very commercial heroine character but in could have been filled out a bit. Another major disappointment is Vidaysagar's music. The once reigning commercial film music director that has some awesome tracks to his name, seems very lost off late. Rocket Raja and Raakkamma are strictly ok. Chellam was picturised well but loses out to easily forgettable lyrics. Choreographers please take note, if your lead actors hasn't got a malleable body type, simplifying steps isn't the only solution. In some ways, Karthi's physic is apt for his character but in others, the moves make it seem like he needs a trainer.All in all, Siruthai is your typical commercial masala film thats made watchable by Karthi.
Rating:3/5
I might go see Siruthai tomorrow :) :D but im disappointed Karthi and Tam. couldn't recreate the magic of Paiyaa :(
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